Creative Mode · Pro
Five genres. Five different rewrites.
Most tools have one Creative setting, and it writes everything like a slightly overwrought advertisement. A horror sentence and a romance sentence are not the same sentence with different adjectives.
One scene, five genres, your dialogue untouched
Pick a genre and run it. Faint marks are what the genre rewrote; the solid mark is the dialogue, exactly as written.
See your scene in another genre before you commit a chapter to it.
As written
The door was open when she got home. She stood on the step for a moment, keys still in her hand, and listened. "Hello?" she called. "Is anyone there?" Nothing answered but the hum of the fridge.
Runs on this page. Nothing to install, nothing to sign up for.
Same scene, five different instruments. Sci-Fi builds the world around it; fantasy reaches for an older cadence; horror withholds; romance turns toward what she feels; literary says it in fewer words.
“It'll flatten my voice”
That is the right worry, and it is not the one a legal or medical writer has. They are afraid the software will make their document wrong. You are afraid it will make your paragraph competent — which is worse, because competent prose is harder to notice and harder to undo.
A single Creative setting does exactly that. It has one idea of good writing and applies it to everything, so a ghost story and a proposal scene come back sounding like the same author on the same afternoon.
Five calibrated sub-genres is not five labels on one prompt. Each is written around what makes that genre's prose actually work — and none of them will touch your dialogue, because dialogue is voice and voice is the thing you came in with.
Works inside Scrivener
The Windows desktop app reads selected text straight out of Scrivener, Word and Outlook. Highlight a paragraph in your manuscript, pick a genre, and the rewrite happens where you are — no copying a scene out into a separate app and pasting it back, which is where drafts get lost.
This page previously described that as in development. It shipped. The claim is corrected here rather than left to age quietly, which is how it managed to be wrong for three weeks.
Try it on a paragraph you like
Not one you are stuck on — one you are already happy with. If it comes back sounding like somebody else, you will know in a single line, and you will not have had to take our word for anything on this page.